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Strains of Histories and Cultures, along with a series of events happening throughout Johannesburg. The citywide initiative will take place from November through January InGoodman Gallery director Liza Essers launched In Context, an innovative curatorial platform to bring together a diverse group of international artists who share a rigorous commitment to the dynamics and tensions of place in reference to the African continent.
A signature programme within the gallery, In Context activates the city of Johannesburg as a locus of contemporary art practice, ideas and discourses. In Context takes place in Johannesburg in the absence of an officially funded citywide biennial. These events play a vital part in addressing gaps in art history, rewriting it from diverse perspectives, a central pursuit within the In Context series.
Conceptualised and curated by artist Hank Willis Thomas and Liza Essers, Africans in America aims to speak to the flows, exchanges and continuities between the continent of Africa and the United States. The exhibition will take place across two spaces in the city, Goodman Gallery in Parkwood and the Johannesburg Art Gallery.
The seventh in a series of conversations about imaging the black body, the edition is the first to be held on the African continent. The conference, which has attracted an impressive list of international panelists, opens up a forum for artists, activists and scholars from around the world to share ideas on a range of subjects, from historical topics to current research on South African art and activism and related themes affecting the global African diaspora.
Africans in America is the second exhibition he has curated for the gallery.
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He has become recognised for challenging constructions of race and gender in the United States and South Africa. His art has consistently extended dialogues on African and diaspora identities into significant international arenas, and his important work in South Africa has keyed into local history while driving new visions in the post-apartheid context.
From early June, we will host major exhibitions between our Johannesburg and Cape Town galleries featuring significant work, installations, interventions, performances, a video and talks programmes.
New Revolutions recalls the fulcrum of activity into which the gallery was borne 50 years ago: Locally, the gallery maintained a responsibility to show work by South African artists as museums served the agenda of the discriminatory government.
By transcending its role as a commercial space Goodman Gallery rose to prominence as a progressive institution.
And, while South Africa was deep in the throes of a draconian era, figures within the fight for African independence trail-blazed the struggle against apartheid. This exhibition reflects on how the events in Africa then, still play a part in the conceptual thinking of artists now.
And, beyond that, how artists have responded to new forms of economic colonisation, migrancy, as well as radicalised reactions to economic inequality and lingering institutional racism. By considering how the roles of artists cross into the realm of activism and socially transformative endeavours, New Revolutions explores historical and contemporary tensions and movements that are unfolding in Africa and around the world, through the panorama of contemporary art.
A non-chronological, intergenerational but conceptually linked collection of artworks from the s to the present will focus on the spirit of protest, resistance, and revolution, and the way in which South Africa, and Goodman Gallery in particular, has offered an important platform from which to explore such approaches.
Beyond this, the iconic significance of the gallery, and the historical moment necessitates that certain artists whose ideas and actions impacted on society, and on the course of art history, be included.
With New Revolutions we invite you to celebrate with Goodman Gallery as we pay homage to artists who have shaped the landscape of contemporary art in Southern Africa. These include artists based on the continent, those of the Diaspora, our northern counterparts who have been distanced from sub-Saharan Africa and those from outside of Africa whose work explores territory such as unequal power structures and socio-political constructs.
New Revolutions is curated by Liza Essers and will take place throughout the month of June at our Johannesburg and Cape Town galleries, and with a special selection of works for Art Basel from 16 June to 19 June.
It seeks to attain a more complete knowledge of that world, as it is lived, from multiple positions over time and space. We have a tendency in exhibitions of work by women to generalise the artists as merely exemplars of a gendered collective: Not just as storytelling, but as speaking authentically, with vulnerability and strength, about who we are, and about the power of narration and its endless possibilities for reinvention.
Presented for the first time in South Africa, Ellen Gallagher is an acclaimed artist who, starting in the mids, has united various media with a range of subject matter to explore the place, and places, of African Americans.
Like the artist staring back at him from a reclining body, we confront the image of a great narrator of the universal psychic world attempting — it would appear with some awkwardness — to draw, and hence represent, an individual reality.
Odalisque prompts us to consider what we can and cannot represent about others and ourselves. Her obsessive re-exploration of themes, such as, marriage and motherhood is transformed into a body of works that is striking in its symbolic resonance, and rife with allusions to everyday life, and religious and folkloric symbolism.
In the series, root of the flower we do not know mudzi weruva ratisingazive, our encounter with Chihota is dominated by the black female figure she insistently imagines, demonstrating a method of representing the self differently while exercising her right and desire to confirm and consolidate her identity as artist and her experience as female.
Tugbiyele is an emerging Nigerian-American artist and activist who spent her formative years growing up in Lagos, Nigeria. New York-based artist Mickalene Thomas is best known for her elaborate paintings composed of rhinestones, acrylic and enamel which articulate complex visions of what it means to be a woman and expands stereotypical definitions of beauty.BIOGRAPHY.
Alexander Calder was born in , the second child of artist parents—his father was a sculptor and his mother a painter. Because his father, Alexander Stirling Calder, received public commissions, the family traversed the country throughout Calder's childhood. One person in the room remembers watching Loeb texting for a while and then, "during the most important part of the presentation," getting up and going to the bathroom for 10 minutes.
Goodman Gallery Johannesburg is pleased to present No Romance, a three person-exhibition featuring individual works by Ghada Amer, Reza Farkhondeh and collaborative work by the two artists. A database of political history and cemeteries, with brief biographical entries for , U.S. political figures, living and dead, from the s to the present.
Bill Gates has lost a jaw–dropping $ billion since our last list. It wasn't just the court order to break up the company that caused Microsoft stock to sink last year.
Biography of David Filo: - Born in Wisconsin. David Filo co-created the Yahoo! Internet navigational guide with Jerry Yang and co-founded Yahoo! Inc.
- Founded Yahoo! along with Jerry Yang. - Filo serves as a key technologist, directing the technical operations behind the .