Born in the U. For decades, his concerts have been described as feats nothing short of miraculous, and he has discussed his own songwriting in terms of a magical act: Now he does it again.
David Wenham as Diliosnarrator and Spartan soldier. Lena Headey as Queen GorgoQueen of Sparta Gorgo has a larger role in the film than she does in the comic book, where she only appears in the beginning.
In the film Astinos has a constant presence until he dies.
In the comic book Astinos is only mentioned when he dies. Andrew Tiernan as Ephialtesa deformed Spartan outcast and traitor. Michael Fassbender as Steliosa young, spirited and highly skilled Spartan soldier. Peter Mensah as a Persian messenger who gets kicked into the well by Leonidas.
Tyler Neitzel as young Leonidas. Patrick Sabongui as the Persian General who tries to get Leonidas to comply at the end of the battle. Leon Laderach as Executionera hulking, clawed man who executes men who have displeased Xerxes.
Tyrone Benskin as the whip-wielding Persian Emissary. Production[ edit ] Above: Producer Gianni Nunnari was not the only person planning a film about the Battle of Thermopylae ; director Michael Mann already planned a film of the battle based on the book Gates of Fire.
Gordon wrote the script. Snyder used this narrative technique to show the audience that the surreal "Frank Miller world" of was told from a subjective perspective. A scene during filming.
Two months of pre-production were required to create hundreds of shields, spears, and swords, some of which were recycled from Troy and Alexander. Creatures were designed by Jordu Schell and an animatronic wolf and thirteen animatronic horses were created.
The actors trained alongside the stuntmen, and even Snyder joined in. Upwards of costumes were created for the film, as well as extensive prosthetics for various characters and the corpses of Persian soldiers. Shaun Smith and Mark Rappaport worked hand in hand with Snyder in pre-production to design the look of the individual characters, and to produce the prosthetic makeup effects, props, weapons and dummy bodies required for the production.
Wenham said there were times when Snyder wanted to precisely capture iconic moments from the comic book, and other times when he gave actors freedom "to explore within the world and the confines that had been set.
Visual effects supervisor Chris Watts and production designer Jim Bissell created a process dubbed "The Crush,"  which allowed the Meteor artists to manipulate the colors by increasing the contrast of light and dark.Magazine article book review saga.
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